Mussorgsky’s Pictures at an Exhibition may have inspired more arrangements than any other piece in the classical canon, but this performance eschews the most famous by Ravel for a more intimate version for String Quartet. Mussorgsky’s aren’t the only images in this programme – Crawford-Seeger’s Wind Quintet paints a compelling image of the ailing composer returning to the thing she most loves, while Arnold’s Guitar Concerto is a tacit portrait of the great jazz guitarists – Django Reinhardt’s influence on the piece is unmistakable.